For the second part of the “user’s viewpoint” I opted for a similar space to the commuter set in the previous part. For those images I shot from the perspective of a commuter on a suburban train. I referenced Tom Wood’s series “Bus odyssey” which he shot over the course of the 1980s-1990s in Merseyside as providing some inspiration for these two separate sets.
The key difference between the two sets is evident in the use of the space – the previous user being on the transport vs. the user waiting to embark on it. Whilst they are very similar I found the resulting images to be quite different. I noticed a lot of Tom Wood’s images had unusual and disordered compositions. I took this approach and ideas about perspective – that is shooting from the exterior environment of the transport. I chose the tube station platform and shot through the train window. The shot above and below are when the train is moving. I tilted the frame slightly to create the impression of movement and found that the blur also helped with this sense of movement.
I found the results effective in conveying the fast moving train and the function of the space – waiting for the arriving train to stop and catching glimpses of the passengers on the moving train. I quite liked some of the moments I captured, although impressionistic and blurred, they are effective in capturing the function and atmosphere of a busy tube station.
This (like the first part of the exercise) relied on luck and some guess work with composition for example I again relied on autofocus. But I found it a useful and refreshing exercise in putting into practice some approaches I liked from Tom Wood’s series. I would like to experiment with this space and perhaps use different shutter speeds, perhaps using longer exposures standing at the back of the platform, and giving myself more time to explore the possibilities and some different approaches.