Exercise: Exploring function

For the first exercise of Part 3 of the course, I will be using my images from Danwon High School. I approached this shoot with this module in mind, and this fits into the first exercise brief nicely.

I had previously photographed the interview of two fathers whose children had perished in the Sewol ferry disaster in April 2014, and this project followed on from the interview. Myself and one more photographer were permitted access to the school to shoot the classrooms of the students who were lost last year. Most of the 2nd Grade perished in the disaster and many of the classrooms sat completely empty of students and teachers for the remainder of the year.

The focus of my images was to be the classroom space itself, the school the students spent so much of their time learning and growing into young adults. An empty school is slightly eerie but knowing why these classrooms stood empty was harrowing and shocking. I aimed to get across the design of the space and how it is intended to be used. I found the functionality of the classroom – empty chairs and desks, unused books, lockers with students names on – takes on a new, special significance when set in the context of the terrible events of last year, and my images convey something of this meaning to the viewer.








See the project write up here:


And in Photographers in Korea magazine:


Exercise: Exploring function

Assignment 2: A public event


There has been quite a lengthy gap between shooting the photos for this assignment and writing my reflection – a gap that I hadn’t planned but I’ve been happy with the time for reflection. I shot the “activity” itself two months ago in Korea, and I have been thinking over my choice of subject matter carefully.

Myself and another photographer had been asked to shoot an interview of families of the victims of the April 2014 Sewol ferry disaster in Korea, a tragedy that saw the loss of 300 people including over 200 school children. I shot the interview of two of the fathers of children lost in the disaster, who have been protesting since last year against the government’s handling of the accident and what they see as cover ups by the those at the top. The interview took place in Gwanghwamun square in the centre of Seoul, in close proximity to many government offices and not far from the President’s house.

I went into the shoot with some nerves as I realised the sensitive nature of the event and the fact that I may not have much time to get my shots. I was also aware that I may not have much control therefore I went in aiming to capture shots documenting the interview rather than attempting to intervene and pose the subjects. This was also in line with the requirements for Assignment two, so I looked for the “moments” that told the story and explained the event.


The interview started off quite tense for all parties, the interviewer was not a Korean speaker and the fathers could not speak English so there was a translator at the ready. I noticed immediately how tired the fathers looked and they both talked quietly and softly in response to the first set of questions. 


The father above was much more animated and you could clearly see that he spoke for the pair as he was willing to give longer answers and warmed up to the interview much faster than the other.


The father above was more pensive and reserved and you could see the sense of hopelessness and desperation etched into his face over the state of the protest. It is worth noting that these two men (along with many other families of the victims of the sinking) have been living in the square for the entire time since the sinking. At the time of the interview this was 10 months. They sleep in tents in Gwanghwamun square, wash in subway station toilets, and refuse to give up their vigil until they have received a satisfactory explanation of what happened to their children.


As the interview wore on, I noticed the other father started to warm up to the questions and gave an extremely vivid and heartfelt account of the day he went to pick up his son’s body and went into the public mortuary to identify him for the police. As he gave this account the translator (see photo above) looked incredibly moved and struggled with the rest of the translation for the questions.


As the interview wrapped up we thanked the fathers who thanked us in turn and asked for our future support for the Sewol parents’ cause. We walked outside with the fathers who retreated to their tent for some lunch and we melted back into the busy Seoul crowds. The shot above shows a part of Gwanghwamun square, the ribbons tied to the benches are in support of the Sewol parents protest.

Overall it was a difficult event to shoot and I was happy with the final set of images. I shot both digital and film shots, but once again found the frames from the roll I shot on the day better captured the intensely personal moments of the interview. If I was to shoot it again I would approach with perhaps a different aim in mind, focusing not just on straight portraits of the subjects but perhaps aim to capture different gestures, a range of expressions, or focusing on different body parts such as hands or the back of the head. Not being able to control the shoot was a strange scenario for myself as I have had little experience of documenting events and journalistic scenarios such as magazine interviews. Some control over the shoot would have been welcome and I would have liked to set up portraits of the fathers rather than shooting as they talked, but for the shots I did get I was pleased with the consistency, and the fact it showed a few personal moments from a difficult interview.

Assignment 2: A public event

Exercise: A public space


For this exercise I also shot a busy area of Kathmandu. I selected a TLR medium format camera as I had such success using this for the earlier “standard focal length” exercise in this module. I find a TLR camera with a waist level viewfinder affords a certain subtlety and stealth when shooting people in public places. It is unobtrusive, people can recognise it and if they do it is often a topic of discussion since these cameras are rarely seen these days. I asked a couple of people for portraits and for the rest I shot subtly and on the move. I chose to walk around Boudhanath stupa an important pilgrimage site for Tibetan Buddhists. It was extremely crowded but I could sense some order in the activity, there being layers of different types of people walking around the stupa – tourists, pilgrims, police, street vendors, shop owners and beggars. To help convey the colour and activity I chose medium format Velvia, a slide film known for its vivid colours and exceptional level of detail particularly in 120mm.


The above shot was taken on the move – unfortunately the TLR camera I was using is prone to light leaks and double exposures. The band of overexposed film on the right is a double exposure from not advancing the film far enough due to a faulty film counter. However I still love the colour and composition, and with the other shots in this small series conveys something of the varied activity going on at the location.


This shot was taken slightly later as is noticeable from the changing light in the frame. I also observed the location served as a meeting spot for local people, or just a place for individuals to sit in quiet contemplation. Though it is crowded with people and nearly always busy, it is a reminder of the spiritual nature of the location for many people.


For the last shot, I asked permission from an old lady sat just beneath the stupa in shadow. I surmised that she may have been a pilgrim as is evident from her clothes and religious beads in hand. I noticed that she too was sat alone and looked quite sad in her contemplation. Once I had taken the shot she did gesture and try to talk to me but unfortunately the language barrier prevented me from finding out more about her. The TLR camera here cropped for me due to the film counter problems, but I actually like how it is cropped so let’s call it a happy accident!

Boudhanath is an extremely crowded and often stressful place, but this exercise enabled me to notice the people away from the tourists and internet cafes, and my images show the diversity of people present there everyday. I hope that this activity continues after the devastating earthquake last month, as it is an important place not just for pilgrims but also for the local people in Kathmandu.

Exercise: A public space

Exercise: An organised event


For this exercise I shot a Nepali wedding procession on a Kathmandu street. Whilst this was clearly an organised event – a procession complete with band and processional car for the bride and groom – it drew a lot of spectators so photographing it was extremely difficult. Before shooting I tried to pinpoint the most prominent players in the scene, that was the family, bride and band. The above image (from what I understood) was the father.


The image of the bride above was a difficult one to capture due to the attention she received from spectators. I shot from a variety of angles with my 35mm camera with a 35mm lens until I settled on this shot.


Things moved surprisingly fast on the busy street and before I knew it the procession was ready to move on once the bride had taken her seat back in the car. Spectators on the street were getting mixed up with those in the procession making it difficult to distinguish who was who.


The shot above was captured just before the procession moved on. I thought the red jackets of the band really made them stand out in the busy, colourful street, and whilst the procession stopped the band laughed and joked with one another, intermittently playing tunes at random, not sure whether they were required to continue playing or not. This moment encapsulated the entire sequence of events for me, confusion, colour, an overload of people and sound. My choice of a 35mm lens with 35mm colour film I thought was correct, though in such a scene in future I would have preferred to have a variety of focal lengths to choose from. A high quality zoom lens (18-50 or 18-75mm) I feel would have been the perfect gear for the scene.

Exercise: An organised event